
FACTS
ABOUT MWESEE:
Archeologists believe
that the village of Mwesee is extremely old -- the first people arriving
13-15 centuries ago. The settlement
was built on the highest point of the broad Vyatka River, from which the
eventual village of Mwesee (meaning promontory) took its name. (Today its
location enables you to have the best cellular phone connection in the
region as well as Internet access.)
The villagers told us
that their ancient ancestors were hunters and fishers, settling at the point
where the Vyatka River joins the Baisee River because here could be found an
abundance of fish. Armed with bows and arrows, spears and instruments of
stone, they hunted an abundance of large and small animals in the nearby
woods. In 2004 on the banks of the river below the village, archeologists
found the skull of a rare young cave bear that lived in the region 50-100
thousand years ago.
The center of the village is
where three hills meet. Each of the hills holds up its share of the nearly
thirty homes that constitute the whole of the village. At one time, the
homes numbered nearly 300. It, like many villages, has suffered greatly
during the prolonged period of perestroika or "time of change" which
continues to keep most Russians in a state of economic and political
uncertainty.
The road by which you reach Mwesee is two strips of grass lightly
flattened. As a result, you arrive in the village much like a sheep, roaming
freely about. It is hard to imagine that such a non-road has a name. Yet, it
does. It is called Bolshoi Pa`cheenok which roughly translates
as "The Big Beginning". The American Home lies at the end of Bolshoi
Pa`cheenok. The small "lane" that runs along the eastern side of the
house (two even fainter, flattened strips of grass) has recently been named
"Atlantic Avenue" in honor of the American Home.
MAY 2005: THE ROAD "HOME"
If you arrive in Mwesee late morning, you
will most certainly see the footpath carrying some elderly woman home with
two water buckets swinging rhythmically from a yoke around her bent
shoulders. The path winds its way to a rushing stream where you not only
wash your clothes, but fetch drinking water.
When we arrived in Mwesee we were met by Raiisa Ivanovna -- and three
geese. Raiisa Ivanovna was just returning from the stream where she'd
finished washing two baskets of laundry that hung resolutely from her sturdy
shoulders. Her white kerchief, tied tightly around her head, appeared above
the crown of the hill just as we turned our gaze in that direction. Her
left hand worked a large walking stick that helped her up the steep grade of
the path.
This was the second hill she was climbing with her laundry baskets,
thus she had no reason to feel embarrassed by using her walking stick,
though she was. To make her way home with her laundry and geese, she had
come from the foot of the three adjoining hills where a grove of birch trees
was bursting with new tender leaves. The path leads you along to a
footbridge that then carries you across a ravine and over to the third hill,
the first house of which is the "American Home". It was given to our
organization by the villagers in November 2004.
We offered to carry Raiisa Ivanova's laundry -- and thus we met our
first neighbor and gained a new friend. The geese, we learned, were not
hers. They belonged to her sister who turned out to be our next door
neighbor. We shooed the geese into their own garden before heading further
down the road. As soon as the gate swung closed, Raiisa's grandniece, Luba,
swung open the front window to let out the cat. Seeing us, she smiled and
waved.
Later that afternoon we met Raiisa's third sister, Para`skovaiya
Ivanova, and her talented husband Nikolai Yegorovich, about whom this story
is being told.
Mwesee is the village Nikolai Yegorovich all his life called home. It
was also home to his aunts and uncles, as well as his grandparents. He was
raised with many ideals: respect for others (especially elders), love for
one's motherland, and the honor of hard, self-sacrificing labor. He
survived revolution and war, and then rushed to build up the communist
dream. He married a village girl, raised an honest family, and eventually
became the most respected builder in Mwesee. He would look back on his full
life and be able to take credit for building the new post office and school,
the dry goods store, and the Hall of Culture, which included a library, a
meeting room, and a small theater. The school and Hall of Culture looked
out on a garden with a large World War II monument. Each year graduating
students planted a birch tree as an enduring symbol of all the life,
education, and well-being that had taken root in Mwesee.
Whatever else communism was, to many Russians like Nikolai Yegorovich,
it was represented by the new school, the bustling post office and store, a
library full of books, and a theater where his children could see wholesome
movies, or plays by Shakespeare and Chekhov. There were talent shows and
puppet shows, Sunday ensembles, and rooms in which to take private music
lessons. When we met him, Nikolai Yegorovich had already been left with a
beautiful full head of silvery white hair for many years. His smile was
warm and winning, and his face unweathered, more like the softness of a
child's.
Nikolai Yegorovich could also take credit for several of the newer
village homes in Mwesee, including ours. In a childlike way, the villagers
had given the American Home to "all the people of America" -- at least to
those who had made the library project in Vetoshkino possible. It was then
that we learned that the children in Mwesee, no longer having a school of
their own, walked the six miles to Vetoshkino three times a week to go to
school. (You can visit the village of Vetoshkino by going to: Vetoshkino
The intent of the home was to give the people who had made the library
possible a chance to see not only the fruits of their labors, but the warmth
of the Russian people. And so, on our way from the Urals back to Moscow we
went to Mwesee to accept the villagers' gift and assess the realities of
turning it into a global home, without upsetting the fragile environment of
village life. Nikolai Yegorovich came by that first day to see what it
would take to restore it. He was immediately likeable. He was not inclined
to draw attention to himself and so, only slowly, we learned his story,
imagining much of it by the works his small hands had so amazingly wrought.
He had truly accomplished enough to make many men proud.
We had been working all morning on tearing down a center wall to make
the main room of the house larger when Nikolai Yegorovich arrived. He
entered as politely as if the house were all in order and he had come for
dinner. By the quiet, knowing look on his face he took in the situation at
a glance. If he was too kind to say what he understood (that the house
needed a lot of work), we as yet did not understand what cast the shadow
over his gentle face.
Nikolai Yegorovich came to the river bank that afternoon with several
of the neighbors who organized a hasty "shashlik" (barbeque) to celebrate
the fact that smoke could once again be seen coming from the chimney of the
widows' house. (The house had been shared by two widows up until recently
when it was left vacant.) The early spring day turned cool and so we all
drew closer to the fire where skewers of lamb, onion, and lemon cooked
away. A rowboat had been turned over and now held bowls of tomatoes,
cucumbers and potatoes. The other rowboat, under a nearby group of young
beech trees, held a small pile of extra picnic blankets and a thick, brown
sweater between which four-year-old Sashenka lay taking a nap. Two of the
women started to sing softly. It was a melancholy melody which left
everyone temporarily with their own thoughts.
When the song was finished, someone suggested that we gather at the
house and that Nikolai Yegorovich bring his accordion. The idea immediately
appealed to everyone. Already we understood that the smoke rising from the
chimney was kindling the hope that the village itself could be brought back
to life. If neither of us wanted to say it aloud, we nonetheless knew that
it would have been better never to have rekindled such hope, than to let it
go out again. In short, we had to return with Americans in tow. We had to
turn the gift into a reason for this village to live.
Two neighbors arrived with a hot pot of tea, a sugar bowl, two cups,
and a spoon. Another followed with an armful of fragrant flowering
branches. On the top of a small wall cabinet, which now wore a pleasing
shade of muted blue, yet another neighbor found a tall glass jar and headed
off with it to the stream. Everywhere you looked you found something, no
matter how dusty, that spoke of all the life and love that had been once
poured into this house.
Someone thought to bring a light bulb which was now hanging from a cord
in the middle of the ceiling. Its golden light barely reached the corners
of the room, as if it had chosen, instead, to concentrate all its energy on
giving light to Nikolai Yegorovich. As he played, he rocked and swayed from
side to side, the wooden chair beneath him keeping time with the music that
filled his beautiful, old accordion. Soon, Raiya began to dance while the
others clapped and sang. On and on the music played while the light outside
grew soft and sleepy -- slipping behind a grove of trees. And in those few
happy moments, we all forgot that the day before the house had been
abandoned.
Now the home, almost a year later, again awaits our return. We will
spend nearly two months getting it in order so that the villagers' dream --
to make neighbors out of nations -- can soon become a reality. The next
step will be for you to arrive.
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